Chetan Mali and Mahendra Choudhary transform colonial history into wearable art

Mumbai's Chor Bazaar carries a fascinating linguistic twist that perfectly captures colonial India's cultural intersections. Originally called "Shor Bazaar" meaning "noisy market" for its bustling energy, British mispronunciation transformed it into "Chor Bazaar" or "thieves' market." The legendary tale of Queen Victoria's stolen violin allegedly resurfacing here cemented its reputation as a place where lost treasures mysteriously reappear.

This rich history inspired designers Chetan Mali and Mahendra Choudhary to create a fashion collection that celebrates both heritage and innovation. The duo employs experimental embroidery techniques alongside traditional couching, incorporating genuine antique elements like gramophones, vintage clocks, and ornate boxes directly into garments. What we find particularly compelling is their approach to sourcing - jewelry collected from friends and local shops adds authentic character while supporting community connections.

The collection strikes an impressive balance between British colonial silhouettes and contemporary Indian craftsmanship. We appreciate how the neutral color palette allows the intricate vintage details to shine without overwhelming the structured forms. The gramophone record accessories demonstrate thoughtful material repurposing that feels fresh rather than gimmicky.

We are big fans of authentic story telling at YDI. Rather than simply referencing history, these pieces embody the spirit of Chor Bazaar - where forgotten treasures find new life and every object carries rich stories worth preserving.